I was recently contacted by a theater company in Maryland which wants to add my adaption of “The Gift of the Magi” to its annual Victorian Christmas Collection. They wanted to know how much I charge for performance rights. Normally, when you perform a play from publishing companies, you’re required to pay a substantial licensing fee. The Samuel French Company, for example, owns the rights to The Best Christmas Pageant Ever. If you want your students to perform it for the annual PTO bazaar, it’ll set you back $100 or 10% of the gate receipts, whichever is greater—and that’s often in addition to buying the scripts themselves (which run $8 or $9 each).
I craft my plays so that teachers can use them to build strong readers, self-confident speakers, and engaged learners. I don’t charge schools to perform my plays. Your three bucks gives you license to photocopy as many scripts as you need for your class AND the rights to perform the play in your school. Three bucks sounds like a pretty good deal compared to traditional publishers.
I’m pleased the Gift of the Magi is getting some love in Maryland, but I’m even happier that my holiday plays are finding their way into classrooms all over the country. It isn’t too late to work in a reading or even quick performance of one of my Halloween plays into yours. The Birth-mark, which is based on the short story masterpiece by Hawthorne, is a good place to start. Says one purchaser of The Birth-mark:
“My students love Reader’s Theater. They loved reading this. They said that they were able to express the ‘darker side of themselves.’”
Also consider The Monkey’s Paw, the Legend of Sleepy Hollow, and the Tell-Tale Heart. The Monkey’s Paw originally appeared in Scholastic’s Scope magazine, while the latter two are available in my book, Read Aloud Plays: Classic Short Stories (Scholastic). You can purchase it as an e-book and have it ready for your students right away.
“My 8th grade students LOVED this assignment. I let them use their cell phones and make the ring tone noises while reading. It kept them engaged and we read it three different times during the class so they could read different parts. Highly recommend.”
Finally, I have a handful of engaging Christmas plays, too. Gabriel Grub–from Charles Dickens’ The Pickwick Papers—is my newest script, and it’s as eerie as any Halloween tale. I also have two versions of A Christmas Carol. For a limited time, you can download my traditional version from TpT–or you can re-imagine Scrooge as a woman by using my Classic Short Stories version (which also includes Magi, by the way).