Posts Tagged Cyclops
Yup, the last weeks of the school year can be rough. The end is near, and the kids (and teachers) all know it. What to do? Well, this time of year is a great time to let your students funnel all that extra energy and excitement into some dramatic roles. There’s no reason to assess anything. You can take your hands off the reins, let the kids direct, and just sit back and enjoy their giggles, forgotten lines, and silly grins.
Here are six play scripts that’ll keep your kids engaged until the very end (and there are dozens more at my TpT storefront):
Fly Me to the Moon re-enacts the Apollo moon landing including such famous lines as “The Eagle has landed” and “One small step….” The story is told from the perspective of a young girl who dreams of the stars while following the event via television—itself a feat of innovation. In my classroom, we made an old-fashioned television set out of a cardboard box (complete with tin foil rabbit ears) and stuck a kid inside it to play Walter Cronkite. It’s not a comedy—in fact, it’s a historically-accurate bit of drama—but it’ll have everyone laughing while simultaneously learning a bit of history.
It’s baseball season! Jackie Robinson’s contribution to the civil rights struggle is profound, but why read about it in a text book? In this play, vendor at a modern day Yankee’s game interact with the audience, telling Jackie’s story while hawking hot dogs and flinging bags of peanuts (I like to use real bags). It’s another important bit of history told in a fun way.
There’s a monster and kids get eaten. What could be better? Cyclops: The Monster in the Cave depicts Homer’s classic in all its vomitous glory. Your students will have a blast with this one.
Over the years, few plays have rivaled my Peter Rabbit adaption for gut busting guffaws. It’s not necessarily supposed to be that way, but fifth graders have a natural aptitude for slapstick. These days, thanks to the motion picture, your kids may want to make some adaptions of their own. Should be a kick!
The Newsies tells the story of a young immigrant girl who goes to work selling newspapers just before the 1899 New York City newsboy strike in which kids stood up to millionaire publishers William Randolph Hearst and Joseph Pulitzer. In this play, kids get to talk in a heavy Bronx dialect, stage a protest, and throw newspapers over the side of the Brooklyn Bridge! Sounds jus’ like da end a da school year, don’t it?
Penelope Ann Poe’s Amazing Cell Phone is a modernized version of Edgar Allan Poe’s “The Tell-Tale Heart.” In this version, the protagonist is driven to madness by her best friend’s annoying cell phone. After smashing it to smithereens, she hides it in the depths of her desks only to later be driven to confess by the phone’s perturbing and inexplicable ringtone. It’s my best-selling play, but not everyone has liked it. “Too Weird,” said one reviewer. Well of course it is, it’s Poe! And that makes it ideal for the chaos of late May and early June!
TeachersPayTeachers has grown immensely over the last decade. Back when I first started using it as a secondary market for my plays, products could be pretty simple. In fact, most were in black and white. These days there are a bazillion teacher-marketers selling product, so competition has become pretty fierce. Consequently, I’m constantly trying to update my Read Aloud Play packages and post new ones. Thanks to a couple of snow days here in southern Oregon, I was recently able to revamp several products. I’ve added comprehension activities, teacher notes, and answer keys to The Monkey’s Paw, W.W. Jacobs’ fabulous masterpiece about three wishes, The Birthmark, Nathaniel Hawthorne’s wickedly wonderful “mad scientist” story, and Cyclops, from Homer’s Odyssey. These three plays are perfect for introducing middle-schoolers to the otherwise difficult original stories. Whether you use the play before or after, student engagement and comprehension skyrocket when you pair the original with a play. But they’re also engaging stories for fourth and fifth graders to read and act aloud. (What could be better than your 5th grade Cyclops eating a bunch of 4th grade Greeks?) All three of these plays originally appeared in Scholastic classroom magazines, so they’ve been “vetted” by Scholastic’s professional editors. Add to that the new comprehension activities and they’re a fantastic deal.
I’ve also updated The Secret Soldier, which has previously appeared in both Scope and Storyworks. It’s the true story of Deborah Samson, the first woman to serve in the U.S. Military. Samson disguised herself as a man to enlist in the militia near the end of the American Revolution, was twice seriously wounded, and even performed surgery on herself to avoid being found out. It’s a must-have for any Revolution unit study. Like the other updated plays, it now comes with the additional support material—as do my other plays from the era. Be sure to check out Betsy Ross: Fact or Fiction, Two Plays from the American Revolution, and my newest product, So You Want to Be President. This last one is another “Two for One” pack. It comes with two of my favorite plays from my 2003 Scholastic title, Read Aloud Plays: Symbols of America, which is no longer in print. Both plays cover the history of the presidency and the character traits necessary to serve successfully. Given today’s political climate, they’re important additions to your history and reading curriculum, but they’re also a lot of fun to read and enact.
Finally, MLK Day and Black History Month are already upon us. If you haven’t yet read my earlier post about my Civil Rights and African-American history plays, be sure to scroll down and take a look.
“Johnny” has a big personality. Though it sometimes gets him in trouble, it translates well to the stage. While playing Polythemus in my play, Cyclops: The Monster in the Cave, he takes a swig of an imaginary potion, vomits, staggers pathetically, and then falls to the ground. It mesmerizes the crowd. The play’s a hit.
But there’s more behind the play’s success than just Johnny’s big personality. Because I’m both a teacher and a playwright, I write my plays while imagining my students acting them out. As a result, they’re not just read-aloud plays, they’re act-aloud plays. Like many of you, I’ve run across plays that are clogged with excessive narration (“too much exposition,” as the say on Broadway) or made confusing by multiple settings within the same scene. Know that I endeavor to create plays that avoid these traits. While narration is necessary given the format prescribed by my publishers, I try to keep it to a minimum, or I find creative ways to deliver it. For example, the character of James in The Birthmark is simultaneously telling his story to the audience while talking to the other characters in the play. The Snakecharmers in Rikki Tikki Tavi, are designed to be mystical figures (I imagine them with flute in hand). And Adult Tyree from Freedom for the First Time retains all the local color (and southern dialect) of her childhood counterpart, the central figure of the story. Another reason my plays are created with the stage in mind is because I believe that the repetition of practicing for an actual performance is what builds reading fluency and drives student buy-in. Kids love performing, and they’ll read and re-read their scripts over and over again if it leads up to a performance. Try asking a kid to read a story out of the Houghton-Mifflin text thirty times. See where that gets you.
Using read aloud plays simply as good reading material is just fine, but their greatest value, especially for kids like Johnny, is as act-aloud plays. And speaking of fund plays to act out, I’ve just posted three new ones. All three were published in Scholastic’s Scope magazine last school year.
The Birthmark is based on Nathaniel Hawthorne’s classic short story about imperfection. It pits science against nature and includes a wonderful “mad scientist” scene, complete with an Igor-esque lab assistant. Cyclops, from Homer’s Odyssey, will excite all your students who’ve gotten into the Percy Jackson books. It mixes the original Greek mythology with some kid-friendly humor that will have your students giggling. Mine sure did. Finally, The Secret Soldier tells the true story of Deborah Samson, who disguised herself as a man and joined Washington’s Continental Army during the Revolutionary War. It’ll be a great addition to your Early American unit. Help your “Johnny” find success with act-aloud plays. Visit readaloudplays.com or my store at TeachersPayTeachers to preview or purchase dozens of compelling plays.